Відео

Our capabilities, spanning diverse domains like mathematics, musicality, and athleticism, are undeniably influenced by our genetic inheritance. Whether it's the numerical aptitude to solve complex equations, the harmonious talent to compose melodies, or the physical prowess to excel in sports, our genetic makeup plays a significant role in shaping these abilities. Moreover, the intricate interplay between our genes and environment molds our traits. While genetics provide the foundational blueprint, environmental factors such as upbringing, education, and experiences also contribute to the development and expression of our abilities. Indeed, it's challenging to pinpoint any aspect of human behavior or skill that doesn't bear the imprint of our genetic composition. From cognitive functions to personality traits, genetics intertwines with every facet of our being, enriching the tapestry of human diversity and potential.

Great video. Talent is absolutely real and a key, but the necessary work is the determining factor of how good someone gets. At music uni 25 years ago, there were several of us drummers putting in the same amount of practice (5h a day), but we were not developing and improving at the same rate. The key difference being the talent. For anyone to claim or believe that any person can achieve the greatest levels in anything, regardless of their natural inclination, just by practicing and repetition is either delusional or dishonest.

wow!!

I think playing drums (which I do, and have for years) is only for talented people. I say this because I can move each limb independently (which most, if not all drummers can do). If you can't do this, I'm not sure that is something you can learn? If it is something you can learn, how much longer will that take? Will that limit to what you can and can't play? I don't know by why I have always been able to move my limbs independently, I've just always been able to. It's not something someone taught me. However, saying that, it did take years of practice to get to where I am. Do I have 10,000 hours of playing? I have no idea. I do know I've played for around 20 years so I'd like to think I'm well over b 10,000 hours. But, when I see a 10 year old playing songs it took me forever to learn, or ones I can't play, there's little doubt some are born with amazing talent.

I agree with that statement of “echoes” of a cool thing a pro did. When we know less, and we hear less details, totally agree that we can listen to a great drummer play and absorb a small portion of that, and then not sound the same despite weeks of practise. I find it fun to go back and listen to the same album after I think I made some progress, and see what nuances and details I can pick out this time.

Does watching Joe Bonamassa make you want to quit playing guitar? Hike your own hike! Enjoy what you are.

Talent is not a lie. I've taught several people different disciplines. Some people have that spark that you can nurture, some people don't. Simple as.

Two points: 1. the students in music school are there specifically to play music for 6-8 hours a day. If you are learning to play an instrument as a hobby but you have a job/family/life/responsibilities it is gonna be harder for you to be as dedicated. 2. are you learning the thing so that you can be the best elite player in the world and your name will go down in history? or are you learning so you can have fun and have a satisfying and fulfilling hobby? being creative can be its own reward

think this is accurate from a technical standpoint, but i think it leaves out the critical aspect of musicality.

Nate hedged against Betteridge's Law of Headlines by putting two contradictory yes/no questions in the title and thumbnail

its an "argument" that will always just end up goin in circles.. it has to lol

Talent is not a lie, I've been playing longer than @ElEsteparioSiberiano and I'm not even close to his abilities. Practice is certainly still required, of course

HWBT. Hard work beats talent. Jimi Hendrix carried a guitar around with him everywhere. Making breakfast... Playing guitar. Now... This is Jimi Hendrix were talking about. Soooooo.

Talent is how much you're into whatever it is you're doing that makes you invest the time to master it.

I become good in all my stuff by knowing myself so I can gain. If you have doubt to yourself you can’t practice, no skill no talent . I can be great drummer like Beatles,Weezer drummer.

Thanks nate keep the info coming

Everyone is entitled to their opinion I personally enjoy learning about chopping. It is just another tool to be used when appropriate also it elevates. our knowledge it is important to learn some thing every day that you don’t already know that’s where growth comes in there’s certain styles of music that I personally don’t like however, I listen to them to better understand what is being played and why so don’t look at this is I hate text from one Drummer to another, let’s keep the groove pushing and keep it on the one. Enjoy your day.

Talent is made in the baby years by the parents. If they let tou listen as a baby to complex unpredictable music there’s a high chance you develop perfect pitch and have a great sense for rhythm and melodies. After it’s up to you to develop this. I did not have such parents so I have to work extremely hard…

Now that is definitely something I need to master. Thank you Nate for showing us how to work on that very useful technique!

It all factors in. Appreciation or love for music, encouragement, talent, practice, proper equipment, mentoring, technique, playing with others (below, equal to and above your level)… they all make and break musicians.

Amazing video! I've been stuck at intermediate for a long time, not really sure how to get better...this video is gold because it helped me try to assess what sorts of things differentiate my serviceable drumming from a "really good" drummer. Like I think I need less work on macrotime, but stick height, zones and subdivisions all could be seriously improved. Will defo incorporate these drills to help improve my playing :)

Talent is definitely a thing. When I was a teenager my brother and I had keyboard lessons. He advanced much quicker than I with similar practice routines.

Its like rock want to destroy the kit jazzers are just vibing

Does anybody know where i can find the Guiliana video playing at 0:17 ?

A great lesson thanks Nate. I agree with you of course and i think there is an extra element of confidence too which wil, be an individual element. In private i have a confidence to be free to express myself on the drums but in public i turn into a quivering mess and become severely impaired. Even when 1 person might be listening. A pro may play with that confidence and freedom from the gate. Just a thought. D

That disclaimer segment is some of the best educational content on youtube ❤

Very interesting Nate. At rehearsal last night, I just focussed on sub-divisions as a way of seeing how this translated. It had quite an effect on how I heard myself and the solidity it gave to the band. It was particularly stark as the lead guitarist wasn't there and we were down to three members - nowhere to hide in a trio!!

man, I really love this chanel. Been playing for 7 years and I've had this sensation of me mimicking the playing I wanted, I know I'm close but I know I'm not "there" yet. Thanks so much for the advice, never took a moment to realize this little details.

Some serious wisdom shared here. What an impressive human being. Fabulous interview, well done.

I am a teacher and this is a subject that I have always been interested in. I do believe that there is something called talent. But it is not what propels anyone to be where they want to be. I believe it’s hours of hard work. At the same time people that have some innate talent in there career path may get to the end result a little quicker. I heard an art professor tell a student that the art hanging on the fine arts wall was 10% talent 90% study and hard work.

Talent is exposed in the creation of material. I see better guitarists than Kurt Cobain, but their guitars are not selling for millions of dollars.

Language is a good analogy because the way we phrase our speech is unique to our individual self expression.

Thanks Nate... Youre the only one doing this kind of stuff and it's soooo important for us intermediate drummers. Love these type of videos Thanks

Yep all true in a lot of cases, but then you have these pros playing along to really, really bad backing tracks, oh so perfectly but... Totally uninspiring in every way. Drums without real music is meaningless. An oxymoron in fact. In conclusion modern society and the direction we're ALL headed is not a very good place at all. Music in the main is dead, hence, so is drum's and drumming. Get good, for what FPS.

This was very good Nate. i learned quite a bit from this venture into the rationale for intermediateness. i'm starting to like your videos more and more the more time i put into drumming.

10,000 hours doesn't really prove anything. On the other hand, 10,000 focused repetitions of something will guarantee excellence... talent is merely the byproduct of hard work.

You can have a science channel! You don't need to be smart! You just need.......time. Anyone can do it. I mean it. Really.

One thing I can’t seem to control on the drums is volume… especially when playing at faster tempos. I know that’s a huge stumbling block because I can do so much more at low to moderate volume, but when performing, I seem to lose control a lot more quickly & frequently. Playing loud slows the tempo, which cascades into a whole lot of other bad-sounding drumming as I try to correct. Any advice for controlling volume would be most welcome…

Not flamming is very important. And counting out loud is also very useful.

Innate talent definitely exists. We see virtuosos of every form overtaking their peers decades older and more practiced then them. When i first started playing, I was maybe 14 and rarely practiced. Me and my pals were getting into music and wanted to do the local battle of the bands (we never even played or found a singer, but I was featured by a salon on the webapage for the contest for my elaboate sliky hair). But I had a big basement, a parent who'd buy me a kit because they always eished they did as a kid, literally no idea of how to play even a simple beat, and sadly a lifelong chronic pain condition that only ended up getting piled up with new problems. After my friends and i drifted apart and they lost interest in playing, I got involved in the underground scene nearby me, and it inspired me to play more. I jammed with songs i liked and grew a bit, but then i moved and haven't had a place to set up my kit in a while. Then i got a cheaper e-kit that was frustratingly limiting, and my medical problems got worse. But I used my contacts from some great tourists drummers I know whove played in some bigger bands to study at shows and ask for pointers, used UA-cam videos to slowly work on rudiments and ideas i never knew existed, and used my disabilities and simple kit as a way to learn workarounds or focus on what I could do. Shortly after getting my e-kit, I went to a small show where one of my favorite drummers was playing some of his solo guitar and vox stuff, and an admittedly rude (i was uncharacteristically drunk) comment landed me on the opening song for the headliner with just a snare. No idea what the song was or his music, just a snare and hi-hat stand with a tambourine on it it, and it went surprisingly well without losing the beat and even fitting in some fills and tricks I thought id be afraid to try. Now im doubling down on practice for about 6 months, playing music outside genres i even listen to, focusing more on certain techniques, and even starting to form a band. I have a long way to go, but i see videos like "practicing daily for two years with lessons" and im genuinely shocked when i think "I could do that and so much more." I have my off days, but i played a few songs at an unrehearsed tribute for a passed friend, including three of us on as standing basses and toms - something ive never remotely tried - as well as three songs with just a vocalist thats never performed before and had half-lost their voice. All on a foreign kit, which felt odd after only playing an e-kit for about a year. And there were genuine compliments from musicians i admire that used to be in the actual band, as well as people who's musical opinions i really respect. If i can do it, almost anyone can. Turn your weaknesses into strengths, practice what you can, and keep branching out. Im a long way from some of the better drummers, but also pleasantly suprised when i hear a popular rock somg i haven't heard in a few years and focus on the drums to think "thats it, there was barely anything to that and have sold out atenas for decades." Look at ACDC; very similar in almost every song while being generally simple, but so iconic and powerful by playing to his strengths to the point that nobody does that kind of drumming the same. Good luck to everyone, and keep going. Even with the simplest of percussion setups you can make something amazing and unique. Don't get caught up comparing yourself or thinking you're not close enough to get it any time soon; there's always something new to learn or a new perspective that can set you apart.

I started late, at 15, but man, the obsession drove it for 10 years. There was nothing else I liked better than practicing and playing. It has changed since then. Still play and practice new shit, but there isn't much new shit. I know my limitations, and still try to surpass them. I guess when that stops, I'll be done.

Would be helpful to hear your click ref in all the examples. Well done tho Nate!

For me, it's also why I'm a beginner drummer! ...dynamics are especially hard for me right now.

*So you consider yourself above intermediate? The language analogy is one I’ve used often, strokes are letters, patterns are words, beats are sentences, sections are paragraphs, genres are FOREIGN LANGUAGES. One thing I’ve found is that many beginner and intermediate drummers miss the dynamics of PUNCTUATION! The build ups, the chokes, the barks, buzz rolls, cymbal swells, going from one energy level to another, the intros and outros. The sonic escalation from closed hat, to slightly open hat, to wide open hat, to blend with a crash, to full crash, to crash blended with a China, to full China to crashing on a ride and climaxing with a gong. Ghost notes and bell accents. Left foot hat accents and stomping it open to get a nice splash. There is a thing pro drummers do that gets over looked, and in the analogy of spoken/written language, the best I can come up with is punctuation.*

Since you featured Garinaldi, I think Future Sounds is a great platform to work on all of this stuff. For a long time, that book along with an independence book, Wilcoxin, stick control and Dawson’s Ritual played over various ostinatos was the core of my study.

This is great stuff. I believe most of us have asked ourselves many times "what makes the pros sound so good". And why don't I sound like that. This is a wonderful short but incisive explanation. Thanks.

You can have all of the talent in the world for something, but if you're a complete idiot you never going to know how to apply it. And if it's a physical activity like playing drums, if you're uncoordinated and a trainwreck physically no amount of talent is going to help you. What if Stephen Hawking was the most talented drummer ever? How's that gonna work out for him? Talent is all well and good, but it can easily be surpassed with hard work. Give me 10,000 hours of playing and let's challenge Mr. Talent over there to a Tortoise vs. Hare race. Guess who wins? It's when the talented guys, the guys who it comes natural to, the guys who just speak it fluently before ever really learning go and work their asses off that you get amazing results.

It took me a while to catch on what was happening with those flights lol, 🤣 1st time watcher subscribed, much love